|Artist and Researcher with over 20 years of exhibition experience, curatorial practice, and critical research/publications; specialising in theological expression and interpretation through/of photographs and the photographic.
At school, I did Physics and Maths alongside Art & Design because I liked scientific visualisation. I liked ‘getting’ what I saw, especially the mechanics of illusory trompe-l’oeil painting (and especially the incredible pillars at the Bruchsal Palace in Germany). In my adult mind, photography’s superlative trompe-l’oeil magic is like a star-clustered nebula unveiling myriad ways in which we speak in illusions to each other and ourselves. The nebula has an extremely wide colour gamut of photographic practices: in my life I’ve known wedding photographers, studio print businesses, graphic designers, paparazzi, digital artists, forensic recorders, Instagram fanatics and my mum with her 35mm disposable cameras.
I prefer to sit on the edge of the practitioner spectrum, keeping in view the nebula as a whole – which is, after all, rather beautiful. I make a habit of looking critically at photographic looking, and expecting to find it decidedly unscientific. I also trace its theories and its histories for spirituality, and its users (including myself), for their belief in its technology. In particular, I’m interested in how photography’s own language brings realism to theological ideas and vice versa (especially through the Bible’s lens). I ask whether the ghost in the machine might turn out to be God. And so I write and I make photographs and I read and I look.
I married a man who keeps my feet on earth’s ground, like his biblical namesake, and we have two gravity-defying children. I live in Wiltshire, the origin of the photographic Big Bang, where William Henry Fox Talbot happened to write about Genesis as well as creating his own.
|2018||Scriptorium, The Bishop’s Chapel, The Palace, Chichester.|
|2015||Artist-in-Residence Open Exhibition, Trinity College, Bristol.|
|2012||Elemental, Glenfall House, Cheltenham. Also The Glass Room, Colston Hall and St Stephen’s Church, as part of the Bristol Festival of Photography.|
|2010||Bristol Through the Lens, The Photo Gallery, Photographique, Bristol. Toured to The New Room, John Wesley’s Chapel, Bristol, 2011; and St George’s Bristol, 2012.|
|2008||Hope Soars, St Martin in the Bull Ring, Birmingham, with ArtsFest and Hope08. Toured to Christ Church Clifton, Bristol, 2008; Parkgate and Neston URC, the Wirral, 2009; and Cairns Road Baptist Church, Bristol, 2009.|
|2006||The Passion, Bristol Cathedral, Bristol. Restaged annually at Christ Church Clifton, Bristol, 2008-2014, for schools’ project The Easter Experience.|
|2004||Faith on Dartmoor, High Moorland Visitor Centre, Princetown, Devon. Touring to St Lawrence’s Chapel, Ashburton, and Exeter Cathedral, Exeter.|
|selected group exhibitions|
|2021||Spotlight On: Modern and Contemporary Art from the Collection of Chippenham Museum, Chippenham Museum, Wiltshire|
|2018||Where is God in our 21st Century World?, gallery@oxo, London|
|2014||Standing Room Only, Bristol Cathedral|
|2014||Summer Exhibition, Royal Academy, London|
|2013||Stewards of the Earth, Sarum College, Salisbury|
|2011||Faith in the City, Red Gallery, Shoreditch, London|
|2011||Walking Through the Veil, The Grant Bradley Gallery, Bristol|
|2011||Unsigned, View Art Gallery, Bristol|
|2011||Open Photography 2, Royal West of England Academy, Bristol|
|2018||Finalist, Chaiya Art Awards, gallery@oxo, London|
|2013||Shortlisted, Lumen Prize, ArcadeCardiff, Cardiff; online|
|2012||Shortlisted, Best Set of Images, RGB Awards, The Grant Bradley Gallery, Bristol|