‘Garry Fabian Miller: Adore and Môrwelion: The Sea Horizon‘, review of Miller’s two exhibitions at Arnolfini, Bristol and the National Museum Cardiff, Art and Christianity, No. 114, Summer 2023, pp.6-7.

‘Then Neither Do I Condemn You: John 7:53-8:11’, The Visual Commentary on Scripture, curating Roger Wagner, Duane Michals, and Shqipe Kamberi, 2023, online at

‘Inhabiting the Story: Vanessa Bell’s Photographs of Biblical Scenes’, produced for St Michael and All Angels Church, Berwick, East Sussex (on the occasion of the restoration of the 1941 decorative scheme), 2021.

‘Review: The Figure of Christ in Contemporary Photography by Nathalie Dietschy’, Art and Christianity, No. 105, Spring 2021, pp.13-14.

‘Photography as the Bible’s New Illumination’, in Transforming Christian Thought in the Visual Arts: Theology, Aesthetics, and Practice (Routledge, 2021), pp.43-62.

‘Photography’s Old Testament Humanity’, Visual Theology 3 (2021), pp.12-13.

‘Engaging with the Bible in Visual Culture: Hermeneutics between Word and Image, with Broomberg and Chanarin’s Holy Bible‘, Religion and the Arts, Volume 23, Issue 4 (Oct 2019), pp.411-433.

‘The Bible as Photo-collage and Tableau: David Mach’s Precious Light Series (2011)’, Bible in the Arts, Issue 3, 2019, online at Die Bibel in der Kunst.

‘Biblical Realism in Ruskin’s Daguerreotype ‘Noah’s Vine”, Visual Theology 2 (2019), pp.6-7.

Scaping Sin: Leviticus 15-18′, The Visual Commentary on Scripture, curating Tracey Emin, Adam Broomberg & Oliver Chanarin, and James Tissot, 2019, online at

Photographic and Prophetic Truth: Daguerreotypes, the Holy Land, and the Bible According to Reverend Alexander Keith’, History of Photography, Volume 42, Issue 4 (Nov 2018), pp.338-355.

‘Tacita Dean: Still Life, Portrait, Landscape’, review of Dean’s three London exhibitions at The National Gallery, the National Portrait Gallery, and the Royal Academy, Art and Christianity, No. 95, Autumn 2018, pp.11-13. See also blog post here.

‘Copying Christ: What Artists Do with Visual Traditions and Why it Matters’, introduction to the exhibition ’40 Days 40 Artists’ at St Michael’s Church, Discoed, Powys. Published in Charles MacCarthy (ed.), 40 Days 40 Artists (Discoed: The Friends of St Michael’s Church, 2017), pp.7-11.

‘Veni Emmanuel: Trying to Let Light In’, review of Jane Lee’s photographic work as Artist-in-Residence at St Michael and All Angels, Bedminster, Bristol. Published in Jane Lee (ed.), The Creative Year: The View From Here (Bristol: Tangent Books, 2015), p.40.

‘Still Small Voice: British Biblical Art in a Secular Age’, reviewing the exhibition at The Wilson, Cheltenham, Art and Christianity, No. 82, Summer 2015, p.8.

‘RA Service for Artists’, reporting on the liturgical aspect of the Summer Exhibition’s annual service, Art and Christianity, No. 79, Autumn 2014, p.17.

‘Into the Light’, reviewing 3 photography exhibitions in London: Ansel Adams (National Maritime Museum), Light From the Middle East (V&A), and Seduced by Art (National Gallery). Art and Christianity, No. 73, Spring 2013, pp.2-5.

‘Mapping Faith in Art Works for Schools’, reviewing Elpida Hadzi-Vasileva and Michael Pinsky in two Bristol Catholic schools, Art and Christianity, No. 70, Summer 2012, p.16.