NOTEBOOK / / READINGS | EXHIBITIONS | RESIDENCIES
Articles:
‘Photography’, 3-page reference article in Volume 24 of the Encyclopedia of the Bible and Its Reception (eds. Breed, Sherwood, et al; De Gruyter, 2025), pp.506-510.
Scaping Sin: Leviticus 15-18, The Visual Commentary on Scripture, curating Tracey Emin, Adam Broomberg & Oliver Chanarin, and James Tissot (2019).
Then Neither Do I Condemn You: John 7:53-8:11, The Visual Commentary on Scripture, curating Roger Wagner, Duane Michals, and Shqipe Kamberi (2023).
Inhabiting the Story: Vanessa Bell’s Photographs of Biblical Scenes, produced for St Michael and All Angels Church, Berwick, East Sussex (on the occasion of the restoration of the 1941 decorative scheme), 2021.
Photography as the Bible’s New Illumination, in Transforming Christian Thought in the Visual Arts: Theology, Aesthetics, and Practice (Routledge, 2021), pp.43-62.
Photography’s Old Testament Humanity, Visual Theology, 3 (2021), pp.12-13.
Biblical Realism in Ruskin’s Daguerreotype ‘Noah’s Vine’, Visual Theology, 2 (2019), pp.6-7.
Engaging with the Bible in Visual Culture: Hermeneutics between Word and Image, with Broomberg and Chanarin’s Holy Bible, Religion and the Arts, 23:4 (Oct 2019), pp.411-433.
The Bible as Photo-collage and Tableau: David Mach’s Precious Light Series (2011), Bible in the Arts, Issue 3, 2019, online at Die Bibel in der Kunst.
Photographic and Prophetic Truth: Daguerreotypes, the Holy Land, and the Bible According to Reverend Alexander Keith, History of Photography, 42:4 (Nov 2018), pp.338-355.
Reviews:
Exhibition reviews: Garry Fabian Miller: Adore and Môrwelion: The Sea Horizon, at Arnolfini, Bristol and the National Museum Cardiff.
Art and Christianity, 114 (2023), pp.6-7.
Book review: The Figure of Christ in Contemporary Photography by Nathalie Dietschy
Art and Christianity, 105 (2021), pp.13-14.
Exhibition reviews: Tacita Dean: Still Life, Portrait, Landscape, at The National Gallery, the National Portrait Gallery, and the Royal Academy.
Art and Christianity, 95 (2018), pp.11-13. See also blog post here.
Exhibition review: Still Small Voice: British Biblical Art in a Secular Age, at The Wilson, Cheltenham.
Art and Christianity, 82 (2015), p.8.
Exhibition reviews: Into the Light, 3 photography exhibitions in London: Ansel Adams (National Maritime Museum), Light From the Middle East (V&A), and Seduced by Art (National Gallery).
Art and Christianity, 73 (2013), pp.2-5.
Commission reviews: Mapping Faith in Art Works for Schools, Elpida Hadzi-Vasileva and Michael Pinsky in two Bristol Catholic schools.
Art and Christianity, 70 (2012), p.16.